![]() |
|
|
Rob Roy |
ong
before I actually saw this movie, I'd heard from numerous people that it
was very good. I remember my mom seeing it years ago, and telling me
that it had one of the best sword fights she'd ever seen. That
kernel of knowledge lodged in my mind, since I love movies with sword
fights, and stayed there for years, until finally blooming when I saw
the movie on the shelf at the library, and snatched it up.
I roped Malaya into watching it with me, and it certainly kept our interest, though it's far from a fun or uplifting film. It's a good film though, I've given it one of the highest scores in this entire review section despite not really enjoying it that much, and the reason for that is explained through the rest of this review.
This movie wasn't enjoyable enough to rate higher, but it's a very good, very hard film. It's set in Scotland in the 1700s, where the native Scots are poor and being squeezed by the ruling English. Many are poor, starving, and turning to crime, while others stand true to their old values and honesty and rock-solid honor. Rob Roy is one such man with an impossibly-high standard of honor, and it drives the entire plot as he is tricked and screwed by more cunning and ruthless characters, but keeps surviving by his wits, though he suffers greatly, and in the process earns the respect of others with his honesty and character. At least her survives right up to a climactic duel at the end; a duel against a loathsome enemy who is, unfortunately for Rob, a much superior swordsman. I won't say how that turns out, since this was one of the very, very few movies I've seen where it wasn't obvious 15 minutes into the movie how it would turn out. Bad things happen to good people, bad guys scheme and succeed, good guys die and get screwed, and it keeps going like that for the entire film. It's very similar Martin's brilliant Song of Fire and Ice fantasy series in that way, where if you've been trained by typical fiction and typical Hollywood product you're shocked as the good guys get victimized, betrayed, and die, while the bad guys are not just cartoon villains, but real people with their own desires and motives. They're doing what they think is best for them, and their actions are completely consistent with their characters. They're not just evil props that pop up to be smote by the good guys, as is the case with so much popular fiction/film. I can easily see most viewers finding Rob Roy very depressing and unsettling, since after all, we're so used to the good guys triumphing in glorious fashion, while only minor characters suffer along the way, that it's sort of shocking to see a movie with some realism in it. A lot of the dialogue is rather shocking as well, with some of the most hardcore profane conversations I've ever heard. I'm not talking about bad words; those don't mean fucking shit, as any rap song released in the last two decades illustrates. I don't believe Rob Roy has more than a few actual of the seven bad words, but the things people say are so hard, so cruel, and so vile that more than once in the first fifteen minutes I was actually shocked to hear it. Here a sample quote from the IMDB quotes page. It's accurate, as best I remember, but I must say that reading it here has far less impact than it does when you hear it delivered in the movie. Duke of Argyll : So, Mr. Cunningham. What are these principal sins that distress your mother? Dice? Drink? Or are you a buggerer of boys? On top of the dialogue, it's the amazingly casual and cruel
treatment of the weak; women, children, elderly, the poor, that stands
out. It's entirely accurate, the way the rich and noble-born If you trifled with some chamber maid and knocked her up that was her stupid slut fault for spreading for you, and why on earth should you be concerned that she was now pregnant and about to be sacked for it and turned out into the cold with no more than the clothing on her back? If a lowborn child got in your way, you rode your horse straight over him and laughed; after all, such treatment was the only way to teach the peasants to stay in their place. Still, accurate or not, few people today, raised with the concepts of human rights and dignity, are very in touch with the historical accuracy of their own lands, or the way things are in much of the less-enlightened world, and if you're like that, you'll find a lot of things that happen in Rob Roy horrifying. Just so you know.
Overall, Rob Roy is a much better movie than it is an enjoyable movie. I can respect its quality and realism and plot and acting far more than I actually enjoyed it. It's too long by at least 30 minutes, there's too much suffering and unpleasantness through and through, and the show down between good guys and bad guys takes too long to come, and then proves somewhat unsatisfactory when it finally arrives. I gave it a high score overall since it does so many things well, and is so eager to utterly defy conventional movie making style, but it simply wasn't enjoyable enough for me to go higher on fun factor or want to see it again any time soon. |
|
|
All site content copyright "Flux" (Eric Bruce), 2002-2007. |