hop
Socky films are basically martial arts porn. Low budget, no-name stars,
and they exist simply for the action scenes and combat. The plots, when
they even bother with them, are ruined by the dubbing into English and
editing, and are irrelevant to the action anyway. I recommend fast
forwarding over the talking parts and just getting on to the next fight
scene.
Movies Reviewed on
This Page:
Other Martial Arts
Film Reviews:
- Black
Mask (Jet Li, 1996)
- Elektra
(Jennifer Garner, 2004)
- Hero
(Directed by Yimou Zhang, 2002)
- House
of Flying Daggers (Directed by Yimou Zhang, 2004)
- Kiss
of the Dragon (Jet Li, 2001)
- Kung
Fu Hustle (Danny Li, 2004)
- Unleashed
(AKA Danny the Dog, Jet Li, 2004)
- Ong
Bak (Tony Jaa, 2004)
- Ultimate
Fights: From the Movies (2002, compilation)
The reviews on this
Chop Socky page use my usual movie scoring system, with one tweak. There
are two scores; the first is what it would earn as a regular movie (very
low marks, usually), while the second is a compariative rating vs. other
chop socky films. There's no point in scoring these only against regular
movies, since other films are 30 years newer and had 5000x the budget.
Since no one is going to sit through one of these masterpieces unless
they enjoy chop socky, the scores to pay attention to are the relative
ones, within the genre.
In other words: the
scores are 1-10, with a "All movies/Chop Socky" format. The
only score that's the same for both is the "combat realism"
score since after all, if these martial arts movies can't do that right,
what good are they? "Realism" in this case is defined loosely,
since after all, in the genre it's understood that fighters can
occasionally leap five meters straight up, if they're holding a sword
and their opponent is about to make an equally-high leap.
Reviews are arranged
alphabetically, using the name of the film on the (usually) US version I
saw. Many of these films are released with different names in multiple
countries, so check the IMDB page if you want to find other titles or
more information.
___________________________
The
Dragon Strikes Back,
1972
Script/Story: 3/6
Acting/Casting: 2/5
Action: 6/6
Humor: NA
Horror: NA
Combat Realism: 6
Eye Candy: 1/4
Fun Factor: 3/4
Replayability: 2/4
Overall: 2/5.5
This film stars Chen Lee as a wandering monk type dude, in
Texas. Yes, he's a Chinese cowboy, in the Old West. Curious about this one,
we looked it up on IMDB and found that it's actually an Italian film. It's a spaghetti western, as they call them, but one with a Chinese martial arts guy as the hero. No, it's not worth watching just for this novelty aspect.
Story
The plot involves the hero, Shanghai Joe, arriving in San Francisco, popping in to Chinatown for a brief moment, and then buying a stagecoach ticket to travel east to Texas, where he pursues his dream of becoming a cowboy. Predictably enough, he meets with constant racism and physical attacks from one drunken white idiot cowboy after another. The movie gets monotonous about 2/3 of the way through, when Shanghai Joe has had at least half a dozen different groups of cowboys, ranchers, gamblers, etc, try to rob him, cheat him, trip him, insult him, and so on, always culminating with them attacking him and him kicking their asses.
The English dialogue was obviously dubbed in, so perhaps the original Italian version was better, but the dialogue during these scenes is frequently so bad that it makes them completely unbelievable and almost impossible to watch. Perhaps they didn't know enough words in English to translate the taunts and insults, but it's unpleasant to sit through several straight minutes of bearded, dirty white guys shouting "Slant" and "Chink" at a small Chinese man. I believe the joke, "Chinese use chopsticks because they're too stupid to use forks." was used twice in the movie. No, it wasn't funny either time, unless you perhaps take it as a clever attack on the white guy making the comment; I.E. he's so stupid that that idiotic comment was the best insult he could come up with?
(Just like Harlan Ellison?)
Eventually the plot progresses a bit, bounties are placed on the Shanghai Joe's head (understandably; he's killed or beaten unconscious like 30 people by then), and he discovers someone worse than the casually murderous racists; a wealthy landowner who is not only enslaving Mexicans to work his land, but is routinely slaughtering them, sometimes by standing them up on barrels, putting nooses around their necks, and then shooting them in their extremities until they lose their balance and get strangled. Why he's blowing away his own slaves is never quite explained, nor do they say what he needs slaves when he's a cattle rancher and the slaves only distract his men from doing their actual cowboy work. Basically, he needs slaves so he can be an evil slavemaster, and have extras to murder to prove his evil nature. They're sort of self fulfilling, in that way.
The plot really gets ridiculous at the very end, when we get a flashback to Shanghai Joe's training (this is while he's healing himself from half a dozen bullet wounds in like two days, without ever eating or drinking) and there's a standard training montage. It touches all the requisite bases, with him thrusting his fists into scalding sand, punching through boards and bricks, enduring beatings, and so on. The twist here is that another man was being trained at the same time as him, but they never saw each other, and were both blindfolded when they received their sacred lotus tattoos and graduated and headed out into the world.
Five points if you instantly realize that the final ultimate battle in the movie will be Shanghai Joe facing off against the other guy, who has turned mercenary and is serving the evil cattle rancher. It was funny, since I'd been wondering what the final battle would be, since so far Shanghai Joe had won every fight in like three hits, since none of the fat, lazy, racist white men knew how to do more than throw roundhouse punches. Fortunately the plot conjured up another martial arts master for him to battle, just in the nick of time!
Joe wins of course, after a final battle that's overlong, extremely brutal, and full of the nearly criminal misuse of various martial arts weapons. It's not the worst thing in the film, but it's far from the highpoint, largely since the main evil rancher has already been killed, leaving us to wonder why his merc is still fighting, since there's no one paying the bill. Plus there's no emotional weight to the fight, since this new bad guy just walked in; we have no reason to like or dislike him. Not that there's emotional weight to any of the other fights either, since we quickly get sick of every single person other than Shanghai Joe being an asshole racist who deserves the beating he's going to get, but hypothetically speaking...
I've spent far more words on the plot than I intended to, but there's not much else to talk about. The story was actually pretty inventive, and while it was ridiculous, at least it wasn't just another, "You have killed my master and I will avenge him." story set in ancient China. I didn't give it a very high score overall since it was repetitive, predictable, and one-note. And yes, that's pretty much par for the genre.
Martial Arts
As for the martial arts, they weren't very impressive. Having drunken white guys as the targets was fun a few times, as the asshole racist cowboys got their deserved beatings, but it soon got old since they presented no challenge to Shanghai Joe. I don't know enough about Kung Fu to say what style he was using, but it was not high flying, and not very brutal. Lots of chops, kicks, and punches, none of which looked very powerful. Lots of jabs, basically, and every fight required him to hit the bad guys numerous times to knock them out. He never did any joint locks or breaks or submission or choke holds, and while watching him land a flurry of light hits, after which he stepped back and waited for the bad guy to come at him again, I kept shouting "Finish him!" at the screen.
He seldom did, and it wasn't like Shanghai Joe was beating them up to punish them before going for the knockout; his style was just not hard-hitting enough to win with less than a dozen strikes. Very inefficient, especially when dealing with multiple attackers, as he usually was.
Most of the fighting was relatively realistic though, without too many "Oh he so didn't hit him with that." shots. The early fights were heavily-edited though, much the way most modern action films do it, in order to hide the fact that the actors involved can't actually fight at all. I'm not sure why they did it that way, since the cowboys were just throwing huge right hooks, or swinging chairs, and all Joe had to do was dodge or parry and then land his hits. Surely most of those could have been done in one take, with a camera far enough away to let us see how he moved.
Only the last fight, when Joe faced off against the evil Chinese guy, was shot from a distance, and there were some decent scenes there, though the choreography wasn't that great. The weapon stuff was especially mediocre, with knives thrown from the shoulders, like darts, and swords handled very poorly, with big, slow swings and no real control.
Overall
Since the only real draw for this sort of film is the martial arts, I can't recommend this one. There's not that much action, far too much of it is one-sided and takes place in dark rooms, and there's very little variety in moves and styles. The weapon work sucked too, even though there was very little of it.
___________________________
Fists
of Bruce Lee, 1978
Script/Story: 2/4
Acting/Casting: 1/3
Action: 5/6
Humor: NA
Horror: NA
Combat Realism: 5
Eye Candy: 0/2
Fun Factor: 4/5
Replayability: 2/4
Overall: 1.5/3
This film is one of the
many 70s films by martial arts guys that followed a simple plan: "I
look sort of like Bruce Lee, so I'll change my name to a phonetic
version of his and try to become a bigger star now that he's dead."
This one stars Bruce Li, and no, there's no reason at all to include
"Bruce Lee" in the title other than blatant marketing
bullshit. It has nothing to do with him, or his Jeet Kun Do style, or
anything else.
I don't usually worry much about eye candy in these types of films, but
this one gets a special mention for being the single worst transfer I've
ever seen on a DVD. They took the original wide screen movie and
stretched it out to fill the full screen, top to bottom, but didn't do
it very well. So the sides of every scene are cut off, and the
characters are 8 feet tall and skinny. Simply putting this one into a
decent letter boxed format would have improved the visuals and the movie
substantially. You can't adjust it either; wide screen and other options
are grayed out on the display menu.
Story:
The plot is hard to follow even if you don't fast forward over all of
the talking scenes. It's set in modern day (well, 1978 modern day) Hong
Kong, and has something to do with the Hong Kong mafia, rival crime
bosses, and their struggle for power. Lots of different gangs fight in
relatively non-lethal and non-weapon fashion, Bruce Li wins every fight
he's in, and lots of extras get knocked out. There's a huge cast, with
maybe 50 actors shown, of which at least 20 have multiple speaking
scenes. The rest are just random thugs (If you can call 5-foot tall
Chinese guys in eye-splitting 70s leisure suits "thugs.") who
shout a word or two before heading into the heavily-choreographed
combat.
Bruce is posing as an electronics expert who is installing a security
system for one of the crime bosses, who just happens to have a cute
daughter. Yes, I know, what are the odds? These are the least violent
crime bosses in history, who have only unskilled and unarmed martial
arts students for protection/muscle, so you've really got to wonder how
they hustled up the money for the palatial mansions they inhabit.
Numerous fights ensue, none of them for any good reason, until
eventually there's one last battle where all of the bosses are in the
same place, and it turns out that Bruce is an undercover Interpol agent.
He wins, of course, after doing the old, "Handsprings make me
bulletproof!" avoidance trick, when one of the bad guys finally
pulls out a gun. The girl survives too, but since these types of movies
are always pretty much sexless, he doens't get any. Not exactly Bond,
Bruce Bond, is he?
Martial Arts:
This movie has a ton of fight scenes. I mean a ton, like 25 or 30 scenes
of at least 2 minutes in length. Lots of them have multiple guys going,
usually 4 or 5 after Bruce, but there are plenty of other random gang
rumbles, where a dozen or more of the instantly-forgettable lesser
characters are out there punching and kicking at each other at the same
time. Almost all of the fighting is empty handed, though there are a few
scenes with poorly-handled nun chucks, inexpertly-wielded knives, or
horribly-swung staves. Do not watch this one for the weapon stuff, since
it's just dreadful.
The fighters are fairly no-nonsense, and some of the moves look like
they might hurt, but it's all pretty much touch style. Hit them, they
fall down, you move on. No one ever does any arm breaks, or joint locks,
or choke/submission holds, and no one is much on finishing off an enemy
once they go down. They land a couple of punches, knock someone down,
wait chivalrously while the punched guy does that "press hand to
mouth to check for blood; then look intense and furious" bit, then
go back into it. A few guys are killed by weapons, but mostly they just
get bloodlessly punched out, with the occasional faux-Bruce Lee
one-footed stomach stomp, which invariably results in the downed guy
straining and holding the foot for a moment, before going theatrically
limp.
Everyone in the movie can fight, at least, to some extent. They all do
basically the same types of Kung Fu though, with nothing high flying.
Some guys are more athletic and do some leaping kicks, and everyone is
flexible enough to do head high crescent kicks and back kicks, but they
never look very impressive or threatening. There's really no point in
kicking if your kicks aren't any more powerful than your jabs, other
than that it looks better on film. And since this is a movie, that's
probably why they chose them.
If you've done any martial arts it's hard to watch most of these fights,
since they are so obviously choreographed, and no one ever takes the
openings they get. Fighters are constantly throwing long, slow punches,
or swinging kicks that aren't going to hurt even if they hit. Step into
them and land a hard punch, or kick out their plant foot and break their
ankle or knee. Anything but ducking back, or just ducking the kick. They
never even have any nice sequences, where one guy does a high kick, the
other guy spins under it and throws his own kick, the first guy parries
that, etc. They just take turns, politely and calmly, kicking at each
other. Reminded me a bit of the
Tae Kwan Do tournament we attended a couple of weeks ago, though
honestly, those kids had a lot more intensity and speed with their
attacks than the guys do in this movie.
Overall:
The combat scenes in this one definitely grade higher quantity than
quality, but if you just want a to watch a lot of different guys punch
and kick each other, over and over again, this film should scratch your
itch.
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